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* AlternativeJokeInterpretation: When the Wolf comments on [[spoiler:Boingo{{'s VillainSong, "The song was catchy, but the choreography was terrible", one can interpret this as [[SelfDeprecation the movie taking a jab at its own choppy animation]].

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* AlternativeJokeInterpretation: When the Wolf comments on [[spoiler:Boingo{{'s [[spoiler:Boingo]]'s VillainSong, "The song was catchy, but the choreography was terrible", one can interpret this as [[SelfDeprecation the movie taking a jab at its own choppy animation]].
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* AlternativeJokeInterpretation: When the Wolf comments on Boingo's VillainSong, "The song was catchy, but the choreography was terrible", one can interpret this as [[SelfDeprecation the movie taking a jab at its own choppy animation]].

to:

* AlternativeJokeInterpretation: When the Wolf comments on Boingo's [[spoiler:Boingo{{'s VillainSong, "The song was catchy, but the choreography was terrible", one can interpret this as [[SelfDeprecation the movie taking a jab at its own choppy animation]].
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* FriendlyFandoms: With ''WesternAnimation/{{Igor}}'', another independent CGI FracturedFairyTale made in the wake of ''WesternAnimation/{{Shrek}}'''s success. Both are considered two of its "better" knockoffs.

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* FriendlyFandoms: With ''WesternAnimation/{{Igor}}'', another independent CGI FracturedFairyTale made in the wake of ''WesternAnimation/{{Shrek}}'''s ''WesternAnimation/Shrek1'''s success. Both are considered two of its "better" knockoffs.
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Tom the dark lord regarding Keith isn't YMMV material, it has been moved under the "T" tropes in the main page


* TomTheDarkLord: Keith.
-->'''Boingo:''' And Keith; darn it, change your name! Please. That's not... scary, and I'm embarrassed to say it. Boris; try that. Keith... You know, 'Oh, watch out for KEITH!!'''''

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** In the Italian dub, Flippers is voiced by Paolo Buglioni, who later voiced Nick Fury in the Franchise/MarvelCinematicUniverse. This makes the final scene where he wants Red and the others to join his team even funnier to watch.

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** In the Italian dub, Flippers is voiced by Paolo Buglioni, Creator/PaoloBuglioni, who later voiced Nick Fury in the Franchise/MarvelCinematicUniverse. This makes the final scene where he wants Red and the others to join his team even funnier to watch.



* NightmareFuel: Wolf roaring at Red when she refuses to hand over her basket can be quite intense, especially for younger viewers. It's later revealed that Wolf's tail was actually caught in Twitchy's camera's gears, causing him to scream in pain, however, but still.

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* NightmareFuel: NightmareFuel:
**
Wolf roaring at Red when she refuses to hand over her basket can be quite intense, especially for younger viewers. It's later revealed that Wolf's tail was actually caught in Twitchy's camera's gears, causing him to scream in pain, however, but still.still.
** The low budget CGI animation ends up making many characters, especially the humans, fall into the UnintentionalUncannyValley. WebVideo/TheNostalgiaCritic went as far as saying that Kirk resembles a [[Film/KillerKlownsFromOuterSpace Killer Klown]] without makeup, and when he smiles he looks like something out of ''VideoGame/WeHappyFew''. Boingo also looks quite disturbing during his semi-VillainousBreakdown in regards to his plan when he goes back and forth between crying with an exaggerated frown and EvilLaugh when he puts on a rather demonic NightmareFace.
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Values Dissonance has a 20 year waiting period, this work came out in 2005, so it can't be added back for at least another two years.


* ValuesResonance:
** For a kids' movie, there are a surprising number of jokes about overzealous policing - one cop is very eager to throw Red in a cage to restrain her, while another has locked someone up just for being "creepy", and Wolf complains that he's only a suspect because of anti-wolf prejudice. With sensitivity about police brutality and discrimination much higher in the 2020s, these jokes have aged very well.
** Boingo's plan to forcibly eliminate competition, profit off their hard earned efforts, and monopolize an industry while seeking a seemingly endless stream of exploitation for endless profits is a disturbingly accurate portrayal of how many capitalistic entities have come to operate in the 21st century.

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